I unabashedly enjoy this publication: Dorothy Parker’s Ashes. I’ve been reading it for at least three years, maybe more. I love their mission, their muse, their layout. When a new issue arrives in my inbox, I pop right over to read it. Each issue has a theme, and all the essays are short little works that usually hit just right, if you know what I mean. If you don’t, well, tough cookie, I can’t explain.
And because I admired DPA, I wanted DPA to publish me. Badly.
Now, every writer has their bucket list of dream publications. Salinger’s was The New Yorker. I am not Salinger, and I know better than to expect the New Yorker to publish me. But I can dream of Ploughshares and Sequestrum, can I not? Not to mention Rattle.
Rattle is an amazing publication. The first time I entered the poem of the year contest, I sent off my favorite poem just positive that it would win. And of course it didn’t. As it turns out, none of the other markets I’ve sent this poem to share my enthusiasm for it, but still, it remains my favorite poem I’ve ever written. Anyway, after that first time entering Rattle’s contest, I knew I’d never win because each year I read the Reader’s Choice contestants, and most of them are brilliant, and we only get to vote for one. It is almost impossible. So no, I don’t enter that contest expecting recognition. I just enter to renew my subscription.
But I wanted Persimmon Tree to publish me. And Thin Skin. And they have.
I just looked through my spreadsheet, and I’ve (unsuccessfully) submitted to DPA six times. SIX. This is dogged persistence on my part. I generally don’t allow a publication to hurt my feelings that many times. I mean, a person can only take so much scalding rejection, even though scalding rejection is the name of the game when it comes to submitting your work to the world of literary journals.
One thing I sent was just wrong for this publication, so of course they declined (it has found a home elsewhere). At some point I sent a piece about my minivan that I have no memory of, so it probably wasn’t very good. For their “Secrets” call, I sent a very good piece and wondered why they said no. When the issue came out it turned out my secret was a very common secret.
I sent a sweet piece about my sister for the “Myth” call, which disappeared, which leads me to believe they didn’t receive enough quality submissions to go ahead with a full issue. For the “Body” call, they rejected my piece but sent a personal note that said, “I’m sorry you had to go through all that.” Which was sweet.
Heartbreak came with their “Cops” call. I sent a piece called “Married to One.” I received a note asking for some specific changes. I made them, sent it back and received a “Wonderful, this is great, send your bio right now!” note. I did! I waited for the Cops issue. And waited. And the issue came out and my piece was not in it. I was crushed.
Always a glutton for punishment, I answered their “Heat” call. And GUESS WHAT. On my seventh try, I received an acceptance and thanks for my delightful essay. And the clouds lifted, and the sun shone, and small birds flitted around my head, singing notes of joy.
Not exaggerating. I really love this magazine.
Read my essay here: The Heat Wimp

I love to write poetry in response to art. This poem was inspired by a painting by Jules Bastien-Lepage, of Joan of Arc having a vision. It hangs in the Metropolitan Museum of Art.

My friend Karl says it’s his favorite painting in the European gallery. He guided me to it many years ago.
Read the poem here in Abundance: Joan in the Garden
I have a poem called “A Robot Brings Flowers” at NewMyths, a fantasy/science fiction journal. You can read it here:
I wrote this poem in ekphrastic response to a beautiful piece of art, “Yellow Flowers” by Carla Paton. This was part of the Ekphrastic Challenge by Rattle.com, and when I saw it, my heart just kind of exploded with tenderness.
I’ve linked to the illustration below.
Yellow Flowers” by Carla Paton


So we had our family gathering for Memorial Day on Sunday, and “family” includes a LOT of people in my world. In addition to an incredible menu of traditional cookout delights, the hijinks of seven delighted children, and my beautiful daughters, I was privy to a fervent discussion between in-law and ex about the possibility and necessity of retirement.
My son-in-law’s father (Marty) is pro-retirement (as am I). My ex-husband (K), father of my children, is still working hard at age 67. Marty was trying to encourage K to finally retire. After listening for a while, I joined Marty in reassuring K that he would be fine financially (much more than fine). I mean, if I can manage, he certainly can.
K listened and argued and listed his reasons for putting off retirement again. Marty turned to me in bafflement. I said something like, “You’re right, but K’s refusal to retire has nothing to do with finances. It has to do with emotions. It’s all fear. He’s afraid of losing his identity and security, and no amount of logic can cut through that fear.”
I am so incredibly glad to be retired, but I’ve had my moments of free-fall. I was reading this essay by Hugo Dos Santos in LitHub this morning, and realized what he said about being laid off was the same for retiring:
Someone who has just been laid off is someone in the process of disappearing, and they know it, even if they can’t say so. The routines that informed the self are gone. Gone are the title, the inbox, the calendar invites lining up the days. What remains is the stubborn question underneath all of it, the one the routines were so efficient at keeping quiet: Who am I when no one is paying me to be anything?
I probably had less trouble with this “Who am I?” question than many, because I might have spent ten hours a day getting to work, being at work, and coming home from work, but I never felt defined by work. I had a career, but it was also just a job. What I did for a living was never my identity. In fact I often chafed at working because I am a person who simply cannot stand to be told what to do. Ever. By anyone. This is the core of my identity, this stubborn opposition to the direction of others.
So the answer to “Who am I now?” after retirement is “Myself, finally.” But this means I’m my own manager. I’ve had a few good managers in my life, and the best of them (Kathy) understood that I could and would do ANYTHING if allowed to do it without excessive oversight and questioning and nitpicking and bothering. I would power through projects like a draft horse if left to my own devices. I don’t think I ever missed a deadline.
However, as my own manager, I find that I’m a recalcitrant and stubborn employee. I can be a total pain in the ass. I think this could be helped if I gave myself more deadlines. I love a deadline, I love meeting or beating them, I’m like a dog on a track to cross that line. I miss having deadlines. So maybe I’ll work on that. Or not.
Here’s another passage of wonder and beauty from the essay.
What I told myself, during those years of not writing, was that the conditions weren’t right. That I needed more time. More quiet. More distance from the ordinary demands of a life. That the writing would happen once things settled. Things never settle. What I was really doing was building a structure of permission so elaborate that I couldn’t find its door. And somewhere within that structure, I had stopped thinking of myself as a writer and started thinking of myself as someone who had, at one point, desperately wanted to be one.
Oh that gorgeous line: What I was really doing was building a structure of permission so elaborate that I couldn’t find its door.
I didn’t do that. I was always writing something. Poems or essays or blogs, even when the urge to write novels dried up. I’d write for work and feel an almost desperate pressure to write my own things instead, but I had those deadlines, you see. So I’d send myself an email with an idea or passage or just a phrase. Then I’d go back to whatever I was doing for pay. When I got home, I’d tap away at my own work. My real work.
The art happens in the margins between obligations, between the work day and the start of dinner, in the twenty minutes before the house wakes up. Or it doesn’t happen. The desk in the basement is not a retreat from life. It is inside the life.
That’s why retirement works for me. Writing was always inside my life, my true identity. Retirement has taken away nothing. Instead, it has opened up space for the parts of my life I’d fit in around the edges of making a living. I understand that it’s different for other people, but it’s beautiful for me, a blooming place where words are allowed to take up the space they’ve always needed.
If you’d like to read this fine and lovely, click below.

No, seriously. Ancestry is clueless as far as I’m concerned. It shows me as married to my dead high school sweetheart, and I have zero idea how to change any of that. My super-intelligent cousins on my birth father’s side are whizzes at genealogy websites and could straighten me out in five minutes, but how stupid would I feel, asking them? They are all STEM geniuses and I only have a shaky grasp on multiplication at this point (and I still say “times tables” and “take away” and “carry”, which causes my daughter to shake her head in consternation when I try to help my grandson with his math homework, and do they even still call it math?).
Anyway.
Clearly I helped myself liberally to the other side of the gene pool, where calculators were a fact of life, and not those expensive programmable calculators used by my more intelligent classmates in my rare college physics classes. The free calculators you used to get at the bank.
I thought of Mom this morning for the funniest reason: a taste in my mouth. My memory is often jogged by tastes and smells, and today when I gulped down the handful of prescriptions (three) and supplements (seven) that I take to keep my heart beating and the like, the flavor of one brought back a spill of sense memory. I accidentally bought the chewable B12. When I add water to swallow down this mass of pills, most of which probably just give me expensive urine, I taste that chewable vitamin taste.
This brought me right back to being five or six years old and finding a brown bottle of chewable vitamins in my mother’s bathroom. I was into everything as a child. In her notes, Mom called me snoopy and I guess that’s fair, though I prefer to think of myself as curious. Anyway, I opened this bottle and started eating these vitamins, which had a flavor close enough to candy to keep me going.
I don’t know what type of vitamins these were, or how many I ate. I also told on myself. I took the bottle to Mom. She didn’t take me to get my stomach pumped or anything of the sort. She had me drink a few glasses of Kool-Aid made her way: one packet of Kool-Aid and half the recommended sugar. We drank this to mask the sulfur flavor of artesian well water. I drank some Kool-Aid and nothing happened and life went on.
That was how it was in South Dakota. We were Midwestern children in the sixties, a hardier breed with great teeth from all the naturally occurring fluoride. We survived.
I also wouldn’t want any other mother. Ancestry might have hints, but I doubt Ancestry quite appreciates the balance of my mother as I do. She could be impossible, but she was my favorite person in the universe until I had children of my own. She was mercurial, curious, fascinating, frustrating. I am baffled by how she let me down in my adolescence, but she always loved me, a big old furnace of love.
So here’s a hint about my mother, Ancestry. Mom had her first child at age seventeen. An emotional, intelligent young woman left college, which she started early because she graduated high school at age fifteen, to become a mother. I understand why she felt ripped off. Her adolescence ended with motherhood. I don’t think she was well-equipped to help me navigate mine. She put me on the pill and put me out at age fifteen to make it on my own, a weird remedy or echo or repetition of what happened to her.
I also understand why she grieved when I had my first child at 22. She saw my young motherhood as a curtain going down on my life. As she watched me, I know she felt sorrow, anger, helplessness. But she was resigned to it. She brushed her hands together, considered me done for, and moved any ambitions she had for me over to my childless siblings. There, hope for a meaningful life remained.

Over time, Mom realized that I hadn’t exactly shriveled up and died. I’d just reproduced. She also felt a little defensive. Why was I making motherhood look so easy? Why did I do it without complaint or anguish over what I’d given up? I didn’t explain to her that much of this was a facade. Motherhood is a monumental struggle, and my marriage was a lonely, lonely place. I survived with the help of fierce friends like Jennifer and Karen and Sue and Bob and Debi. These people provided the companionship and emotional support missing from my marriage.
But here’s another hint about my mother, Ancestry. There’s a part of this of which I am not proud. I wanted Mom to think it was easy for me. As children, Mom let us know that motherhood had ruined her life. This was a steady drumbeat throughout my earliest years. “Never have children. They ruin your life.” “Parenthood is pouring from an empty pitcher. It uses you up.” “I could have had a life, if not for you kids. You took everything from me.” I heard this stuff all the time, and felt tremendous guilt until about age eleven.
That’s when it hit me that I hadn’t had any say in the matter. I began to smirk, roll my eyes, and yes, talk back. I actually said, “I didn’t ask to be born.” Which was terrifically snotty, and my brother and sister would look at me like, oh god shuttup Karen, you’re enraging her. But I figured out early that Mom’s truth should not have been spoken to us kids.
So when I was a mom, I wanted to shame my mother for how much she railed against motherhood when she was angry. I wanted to show her up. I wanted to glide and adjust and care for and laugh at the hard parts and make it look like a breeze. And I did, until my marriage fell apart. And I fell apart. And I needed help, and let me stress this, as a young woman with a high school diploma and three kids to raise, one of whom needed massive orthopedic surgery during the year a nasty divorce was unspooling, I needed so much help.
My then-husband had taken control of all our bank accounts. When I asked my parents for the funds to retain a divorce lawyer, I apologized. Mom said, “Honey, you have no idea how long I’ve been waiting to write this check.” She happily dashed it off and sent it. This is one of the many times my mother helped me. Mom showed UP. Two decades of financial help and encouragement and emails and phone calls and laughter. All my visits up to Bainbridge with my girls, and her delight at seeing them. Each daughter has specific memories of a grandmother they loved, and who loved them with no reservation.
Was she perfect? Is anyone perfect? Of course not.
I’ve done a great deal of thinking and writing about my teen years. When we moved to Montana, I was twelve years old. My life went off track when I was sent out into the wide world at age thirteen to navigate a dangerous environment. My sister and I ran with a rough crowd. I’ve examined all that, not to understand Mom, but to understand myself. I asked hard questions to ascertain the damage done, and heal it enough to live a better life. It would have been so easy to find myself trapped in sadness and anger. My mother was supposed to guide me, help me. She didn’t.
But I had this amazing experience while taking a memoir class with my dear friend Katrina. I wrote a piece that still hasn’t found a home called “The Corner of Skidmore and Haight.” It is an unsparing look at beginning of my second marriage and birth of my first child. Because I took this class from the esteemed and brilliant Martha Gies, it’s full of journalist-level reporting on Portland of 1981-82. Martha made me research the details of North Portland, the arrival of gangs, police misbehavior. But that’s a backdrop for the real struggle, which was two young people, aged 22 and 24, trying to figure out how to be married parents.
In this piece of writing, I played much of it for laughs, because that’s how I handle pain. But the pain is there. Whenever things at the corner of Skidmore and Haight felt hopeless, we survived. How? It wasn’t clear to me until Katrina critiqued the piece. Ever-so-gently, she said, “What impresses me is how over and over again, your mom and dad showed up and helped.”
The proof is right there on the page. My parents might have foundered in my teens, but from my twenties on, they were right there, helping. Over and over again. And they continued to do that until they both finally died.
I was in my early sixties when I took this class. I’d been doing quite a bit of examination of my history, trying to understand exactly who I am before I leave this world. Katrina’s words showed me that I had a choice to make. I could focus my attention on the chaotic decade of my young life when Mom had no idea what to do with me, and whatever I needed was lost in the turmoil of her own unhappy life. Or I could shift my focus and appreciate what she did for me after I left adolescence.
You know, it’s like I finally grew the hell up.
So here’s another hint about my mother, Ancestry. There’s no good, no bad, no right, no wrong. There’s just Mom. Happy Mother’s Day, Mom. I miss you every single day. And thank you for all the days and ways you were there. There are no words for how much I love you.

…are live today!
I wrote these from a prompt, part of the TwoSylvias poetry advent calendar. I think they are hilarious, and I’m glad that the anonymous gatekeepers of Internet humor at Defenestration agreed with me.

I don’t think I have OCD, but sometimes I wonder. I’m reading a book I bought this weekend at the Goodwill, and as I stopped reading to fuss over some soup, I used the receipt as a book marker. But it was folded wrong. I don’t have to go into details here, you know what a wrongly folded piece of paper looks like, I know what one looks like, and this one was wrong. I used it to mark my place twice, then had to stop and fold it neatly before I could read again. I did this even though once I finish typing this, I’m going to throw it away because I have a stack of bookmarks.
While I was waiting in line to pay for this very book, the woman ahead of me was using a self-checkout to pay for her things. Her daughter, who might have been two or three years old, waited silently. This tiny girl had a sweetly serious face with enormous sad eyes, full pouchy cheeks, a somber little mouth, and some snot dried under her button nose. She was a small thing, round of head, thin of neck, with that fine, soft sparse head of hair most often seen on a child that was born bald.
Her mom finished paying, then took the receipt, folded it in half, and handed it to this waiting toddler. She accepted it solemnly. Then she turned to me with it grasped in both hands. She wanted me to see that she had this important piece of paper. There was something ceremonious in her manner, as when a Japanese business partner presented his card to me with both hands and a small bow.
I said something like, “Wow, good job.” Her mother smiled, and off they went, the girl carefully holding the precious paper in both hands.
And now I’m off to select my bookmark, and stir the soup, and wait for my cousin, who will arrive after she gets a rental car and fights her way through Portland traffic.


In 1979, I was living in a patched-together triplex with my first husband in Missoula, Montana. This crumbling, heat-leaking structure was so badly constructed that it didn’t have a functioning doorbell for any of the units. I was waiting for my state residency to kick in so I could get in-state tuition at the University of Montana. There was only one friend who dropped by regularly. Dan was my sister’s boyfriend, then her ex-boyfriend, and he rarely knocked. He just came on in. That was how close we were. But other people came by, Colleen and her skeevy carny boyfriend Kelly, or friends of my sister’s, hunting her down. So when a knock came, I always opened the door.
One spring, I opened the door to a pair of young men in black slacks and white shirts with ties, fresh-faced Mormon missionaries. They were all over Missoula that year, and I was so lonely that I usually let them come in, sit down, and talk for a while. They were a break from my boredom, and I was a break from having doors shut in their faces. We would spar. Unfortunately, they thought I was a candidate for conversion and stepped up their visits. I began to dread their knocks. I’d ignore them, even though I was sure they could hear my television going from the hallway where they stood.
They got the message and stopped knocking.
In 1982, I lived in a patched-together duplex with my second husband and our new baby girl in Portland, Oregon. This duplex, created from an abandoned house, also didn’t have a functioning doorbell. That was fine because no one ever came over to our rough neighborhood without calling first. When an errant knock came, it was Almitra, our drug-dealing neighbor. She didn’t have a phone. I usually let her in because I was home with a new baby, and once again starved for company. After a few long-distance charges showed up on our phone bill, we decided not to let her in anymore.
She got the message and stopped knocking.
Since 1988, I’ve lived in the same house. It has a functioning doorbell, but most of the six dogs I’ve owned since living here have gone absolutely insane at its chime. Luckily, it’s set off to the side of the door in an odd place. Most people don’t see it. I have a sign up in my window telling everyone to beware of dogs, and that all types of soliciting are unwelcome. The addition of red, white, and blue trim seems to have done the trick. It’s a rare solicitor who taps on my door.
I’ve left up the sign, even though there are no dogs here. Very few people drop by, because apparently people just don’t do that in Oregon. But my grandson’s father is seeing his son over here at this time, so a couple of times a week I hear his tentative knuckle taps on my door. Was that a knock, I wonder, is someone here? I open the door and greet him, the only person who knocks at my door.
I love being published in physical print, but I like being able to share with you, too. This is a print publication of my poem, “Awakened by the Nashville Skyline.” It’s in the winter issue of Pasager Press’s journal.
Passager is a nonprofit, independent publisher whose mission is to publish the work of older writers, encourage the imagination in the later stages of life, and create beautiful and welcoming publications.

If you’d like a copy, you can order it here: Pasager