Posts Tagged: writing

Retirement and Blooming

Retirement Discussions

cat and plants
Courtesy Pixabay.com

So we had our family gathering for Memorial Day on Sunday, and “family” includes a LOT of people in my world. In addition to an incredible menu of traditional cookout delights, the hijinks of seven delighted children, and my beautiful daughters, I was privy to a fervent discussion between in-law and ex about the possibility and necessity of retirement.

My son-in-law’s father (Marty) is pro-retirement (as am I). My ex-husband (K), father of my children, is still working hard at age 67. Marty was trying to encourage K to finally retire. After listening for a while, I joined Marty in reassuring K that he would be fine financially (much more than fine). I mean, if I can manage, he certainly can.

K listened and argued and listed his reasons for putting off retirement again. Marty turned to me in bafflement. I said something like, “You’re right, but K’s refusal to retire has nothing to do with finances. It has to do with emotions. It’s all fear. He’s afraid of losing his identity and security, and no amount of logic can cut through that fear.”

What Not Working Means

I am so incredibly glad to be retired, but I’ve had my moments of free-fall. I was reading this essay by Hugo Dos Santos in LitHub this morning, and realized what he said about being laid off was the same for retiring:

Someone who has just been laid off is someone in the process of disappearing, and they know it, even if they can’t say so. The routines that informed the self are gone. Gone are the title, the inbox, the calendar invites lining up the days. What remains is the stubborn question underneath all of it, the one the routines were so efficient at keeping quiet: Who am I when no one is paying me to be anything?

I probably had less trouble with this “Who am I?” question than many, because I might have spent ten hours a day getting to work, being at work, and coming home from work, but I never felt defined by work. I had a career, but it was also just a job. What I did for a living was never my identity. In fact I often chafed at working because I am a person who simply cannot stand to be told what to do. Ever. By anyone. This is the core of my identity, this stubborn opposition to the direction of others.

If you think I’m joking you’re wrong.

So the answer to “Who am I now?” after retirement is “Myself, finally.” But this means I’m my own manager. I’ve had a few good managers in my life, and the best of them (Kathy) understood that I could and would do ANYTHING if allowed to do it without excessive oversight and questioning and nitpicking and bothering. I would power through projects like a draft horse if left to my own devices. I don’t think I ever missed a deadline.

However, as my own manager, I find that I’m a recalcitrant and stubborn employee. I can be a total pain in the ass. I think this could be helped if I gave myself more deadlines. I love a deadline, I love meeting or beating them, I’m like a dog on a track to cross that line. I miss having deadlines. So maybe I’ll work on that. Or not.

Finding that Door

Here’s another passage of wonder and beauty from the essay.

What I told myself, during those years of not writing, was that the conditions weren’t right. That I needed more time. More quiet. More distance from the ordinary demands of a life. That the writing would happen once things settled. Things never settle. What I was really doing was building a structure of permission so elaborate that I couldn’t find its door. And somewhere within that structure, I had stopped thinking of myself as a writer and started thinking of myself as someone who had, at one point, desperately wanted to be one. 

Oh that gorgeous line: What I was really doing was building a structure of permission so elaborate that I couldn’t find its door.

I didn’t do that. I was always writing something. Poems or essays or blogs, even when the urge to write novels dried up. I’d write for work and feel an almost desperate pressure to write my own things instead, but I had those deadlines, you see. So I’d send myself an email with an idea or passage or just a phrase. Then I’d go back to whatever I was doing for pay. When I got home, I’d tap away at my own work. My real work.

This writer discovered that too.

The art happens in the margins between obligations, between the work day and the start of dinner, in the twenty minutes before the house wakes up. Or it doesn’t happen. The desk in the basement is not a retreat from life. It is inside the life. 

That’s why retirement works for me. Writing was always inside my life, my true identity. Retirement has taken away nothing. Instead, it has opened up space for the parts of my life I’d fit in around the edges of making a living. I understand that it’s different for other people, but it’s beautiful for me, a blooming place where words are allowed to take up the space they’ve always needed.

If you’d like to read this fine and lovely, click below.

Into the Woods

The First Forest

When I was eleven, my parents moved us to Arkansas so my father could do his forester internship at the Ouachita National Forest. This particular forest is the oldest national forest in the south, and covers 1.8 million acres of Arkansas and Oklahoma. I just looked it up, so I think that’s accurate. I had no idea before I sat down to write this, just as I had no idea when I was turning eleven years old and preparing to leave the prosperous Minneapolis suburb of Edina for Booneville, Arkansas.

Also, before Mom and Dad announced that he was joining the Forest Service, I had no idea that Dad had studied forestry in his college years. I don’t think he ever planned to work in the field. He attended college as an ROTC officer and meant to make a career of the Air Force. But his temperament got the best of him. He resigned from his commission as a captain before he and Mom were married, then worked several jobs and promptly left them. Dad had a temper. He could never forgo the satisfaction of telling an employer to “take this job and shove it.”

The trouble was, he’d married a woman with three kids. Within the year, they had another child coming. I believe he turned to his college major in employment desperation. His desire to work for the government coincided with his desire to adopt us, so that was accomplished before we left Minneapolis in a Ryder Rent-a-Truck to establish ourselves in Booneville, a tiny town of about 2400 people.

It sounds romantic, having a forester for a dad, but I spent very little time in the forest itself. We’d go swimming at Jack Creek, a recreation area where we had to watch out for snakes, and Dad had the inside info on spraying so we could time our dips accordingly. And I do remember cutting Christmas trees with Dad in the Ouachitas, spindly evergreens with 4-inch needles that couldn’t hold ornaments. His job was his job, the place he went every morning in his forester uniform, to do the things a dad did at a job.

We weren’t especially outdoorsy kids (this is an understatement). We eventually adjusted to the heat and went outside on the farm or walked around Booneville after we moved into town. Dad was out there in the forest constantly, especially during fire season, when he’d join the crews with flea collars around his wrists and ankles to keep off the ticks as he fought fires. We lived in Arkansas for a little less than two years before Dad accepted another position. Off we went again in another Rent-a-Truck.

The Second Forest

Image courtesy Pixabay.com

Our destination this time was not even a town. We moved into an actual ranger station in the Gallatin National Forest. Its name was “Squaw Creek,” which we announced with no embarrassment when people asked where we lived, because this was 1973 and even my highly liberal parents didn’t know this was a slur. It is no longer the name of the place.

At the station, we lived in a log cabin. All the buildings were log structures; the offices, garages, our cabin (a one-bedroom into which the six of us squeezed somehow because we always made clown cars of any home we had) and the ranger’s house. Once we stepped out of our home, we were in the Gallatin National Forest. Seriously.

A deep dark evergreen wilderness surrounded us. The station backed up into a granite range that loomed, Spire Rock standing gray and bare above the tree line. Below us was a large empty corral for long-ago horses. Below that, a concrete bridge spanned the churning, ice-cold Gallatin River. In the winter, it took forever for the sun to reach our house. I had to be down for the school bus by 6:50 am, even when it was well below zero. This felt brutal, especially after Arkansas, where we wore shorts on Christmas Day.

Montana’s winters were brutal, but the Spring, Summer and Fall were spectacular. My parents were not any happier in rural Montana than they were in rural Arkansas, so they drove to Bozeman often to plan their escape over cups of coffee at Sambo’s.  So long as my sister and I were around to babysit, we could get up to whatever we wanted.

What I wanted to do was roam. My older brother and sister weren’t interested, and my baby brother was just a baby. It was just me and the forest. I roamed the woods, climbed the mountains, and braved the cold plunge of that foaming, glacier-fed river. I climbed Spire Rock in a pair of moccasins on my 13th birthday, then came home and told my parents, displaying my shredded fingernails from scrabbling to find purchase on the rock face.

While I roamed, I thought. I was lonely and angsty and full of inchoate longings. I channeled all that into my wanderings, dreaming about the time when my real life would begin, imagining what it would look like. Despite the constant birdsong, the rustling of whatever creatures passed near me, and the song of the river, there was a sacred hush in those wooded spaces, a perfect solitude for me and my own thoughts. I think every girl should come of age in a forest. I even wrote a poem about it.

Leaving Childhood

The second summer we lived there, my mother discovered the Stillman diet and put me on it. It was an all-protein diet, and my first experience with drinking eight glasses of water a day. I’d get up in the morning, boil up four hotdogs, eat them with mustard and two glasses of water, and call it breakfast. Then I’d do it again for lunch. Sometimes dinner!

It sounds ghastly, but I didn’t mind the Stillman menu, devoid as it was of anything resembling a starch, fruit, or vegetable. I didn’t much care for those things, though I did miss dairy. And I did lose weight. Mom had a goal weight for me, and I was happy to try to reach it. The problem was, after six weeks, I was weak. I went from scrambling up the mountains to barely able to make it to the river. She walked me down there every day for exercise, and I remember her holding my arm to help me along.

Mom was encouraging. I was so close to the magical threshold she’d envisioned for me, the weight at which she thought I’d be happy. Now, listen. I get tired of talking about this because whenever a person (me) tries to figure out what’s WRONG with her, she has to examine her upbringing, and that includes examining her parents. And mine were problematic, because they were imperfect human beings trying to find their own way through life. I can be so hard on her, but it’s not my intention to trash my mother. I understand my mother. She hated her weight, her build, her legs. Mom felt that she’d have been happy in life if not for the tragedy of her figure. She wanted better for me. She saw her genetics written all over my burgeoning women’s body and wanted to forestall my fate.

Yes, she was misguided but I understand what she’d been trying to do since I was seven years old with all these diets. Mom considered her own weight a lost cause (and if you know anything about lipidema, you know she was probably right). Her focus on my weight was a symptom of her own self-loathing and frustration. But even she had to see that this diet was not the right one for a girl my age. I went back to eating regular food, and as soon as I could, I headed back into the forest.

Out of the Woods

That was the summer after eighth grade. I was fourteen, and life was changing in other ways. My sister was driving (she was sixteen, that’s Montana) and we started motoring into Bozeman to drag Main. We met boys, went on the Pill, and abandoned the great outdoors for the world of boyfriends and cars and keggers. My dad resigned from the forest service in a huff, and my parents moved the family into Bozeman so they could both finish their Master’s degrees at Montana State. My days of roaming the woods and climbing mountains were over.

They didn’t have to be. My boyfriend at the time was a gearhead, but he hiked and skied and camped and climbed like a madman, too. Understandably, he was saddened by my lack of interest in both the world of automotive engineering and the Great Outdoors. We were terribly matched but you don’t generally understand that when you’re a teenager, do you. You fall in love with long hair and a fast car and decide that’s what you’ll want for the rest of your life.

I still loved the wilderness, trees and streams and paths, that awe-inspiring Montana night sky with so many stars it made me dizzy to look up at it. But experiencing these things with him and his friends took away whatever it was I’d found in the forest. Instead, I was listening to drunk teenage boys have belching contests around a campfire. Eating cold food from cans. Drinking cheap skunky beer. Having hurried, fumbling sex in zipped-together sleeping bags with icy zippers.

This not the wilderness experience I’d had on my own.

I stayed with him, but in my late teens, my pursuits became more and more intellectual. By that, I don’t mean intellectual as in highbrow and academic. I mean they all happened inside my own head. My sister and I had given up our “play” years earlier. I was starved for story. I haunted the Missoula library to read all the Jalna books. I discovered soap operas and watched three (AMC, Ryan’s Hope, TYATR) with fervor. I also read feverishly. My brother Steve would ship me boxes of fantasy and science fiction, and I’d crack a paperback and submerge myself so deeply, it was a wonder I didn’t get the bends when I had to stop.

Eventually, I started writing. I did that secretly for years until I had kids. I returned to it in my early thirties. For me, writing remains private. I’m shocked that I published my work, that I submit work as often as I do, that I share so much on this blog. I’m shocked because I associate writing with the sacred solitude that I only ever felt in the forest.

A Different Forest

I have never returned to the woods, but one aspect of those years remains. I have to look out on green to be happy. I had many different offices during my working years, and in the ones I liked, trees were outside my office window. For the last five years of my working life, I often worked from home at my dining room table, looking out on my huge unruly backyard.

I wrote most of a novel at that table while life swirled around me, including a little boy who arrived to live with us at age five and left very near the age of eight. I can write with interruptions. It’s what I’m used to, it’s how I wrote all those other books, with real life swirling around me while an imaginary story filled up my head with another life, one I simply made up.

It’s different, now. After living in this house since 1998, I have finally set up my own little office in one of the spare rooms. I chose this room because the view from the window includes my magnolia, my neighbor’s hawthorn, and a bunch of others because I live on the southern end of the Pacific Temperate Zone. Maybe you’ve heard about the trees in Oregon. We have a lot.

Even with all that green, it felt strange to relocate myself into “a room of one’s own.” Sitting down at my makeshift desk seemed alien, like I’d gone off to a writer’s retreat and now, by god, I had better sit down in a room I didn’t know very well and force myself to be productive. I asked myself why. Why? I am sixty-five years old. I have written one nonfiction book, seven novels (plus the one I’m hunting an agent for), and co-written five more novels with Shannon. During these years, I’ve also written short stories and essays and a metric ton of poetry while working full time at a day job where I also–you guessed it–WROTE for a living. I’ve written plenty. Do I have anything left to say?

But as I sit here, looking out at the urban canopy of my suburban neighborhood, I hear the woods calling. I think it’s time to listen. It’s time to start writing again.

I’ll let you know how it goes.

Art Imitates Life. Kind of.

Sources of inspiration

An old photo of one of my bookshelves.

One of the most baffling questions a writer is asked is, “Where do you get your ideas?” We are talking about inspiration, of course, which often boils down to imitation.

I was at a writer’s salon a couple of months ago. A very enthusiastic new member listened to me read a work in progress, a really short piece about a woman lying on the cement floor of her basement, hiding from her husband but in actuality hiding from this world we are living in.

We bring shorter, messier pieces to this salon. Nothing is very polished, unless it’s one of those rare poems or stories that flies through fingertips to keyboard and needs no revision. So I read this weird little piece about this young woman deciding whether or not to ever get up off the floor and face the world. When I was done, the enthusiastic new member asked, “Where on earth did you get that idea?”

I wasn’t sure what to say. I think I babbled something about how the room/basement in question featured in a novel I’d written before (Gentry spends a lot of time in that room in book two) and for some reason I wanted to write about that room again. Which sounds strange but I think if we tracked back our inspirations we would mostly find strange things, yes?

As an example, I wrote a beautiful poem (that I can’t link to because it’s in a print journal ) inspired by a pdf about the types of grasses most commonly found in South Dakota. I was looking for names for my “real” job, from which I am retired, but as part of it I named products. I always scoured the internet searching for interesting ideas and found this pdf about grasses, and that inspired “Flyover Country.”

So I tried to explain to this man that this strange little room in the basement of a house (where I have never lived) in Oklahoma City (where I have never even visited) just wanted to be written about. Which invests the room with an animate agency that it certainly doesn’t possess, but I associate the weird little room with despair. I was feeling despair over the state of the world (still am btw), and this odd little story is what came out.

I think he thought I was crazy.

Anyway…

Some parts of my life do inspire my fiction, especially where my second divorce is concerned. I process through writing (if you read this blog, you know that) and I poured much of my own pain and grief into The Iris Files. I was completely broken by, not the divorce itself, but the long, desperate, painful years before the divorce, when I was presented with lists of ways I could improve everything about myself in order to avoid breaking up the family.

I think Iris said it best:

            In retrospect, I think that the demands for change were simply a kindness on Hart’s part, a last chance, because he thought that after fourteen years, he owed me that. He was extending to me, as a matter of courtesy, the opportunity to become the woman he desired, in an attempt to save himself the trouble of a divorce and the expense of child support.

            I was unable to accomplish the transformation.

Like Iris, I failed. I was unable to be anyone besides myself. Part of it was my own angry stubborn nature (go me!) and part of it was how widely the list varied from month-to-month. The list of changes I needed to make was extensive and inconsistent, based on whoever caught my ex-husband’s eye at the time. His eye was seemingly caught easily and often.

One of his suggestions was helicopter skiing (that’s in Iris). I should somehow become the kind of woman who wanted to helicopter ski. Cut my hair short, wear small pearl earrings, and crisp pleated khaki shorts. Get my nose fixed. Get a facelift (I was thirty). Take up tennis. Dye my hair blonde. Wear more jewelry.

Being treated as a remodeling project is demoralizing and dehumanizing. He often demanded that I go back to work full time. At what, I wondered? He suggested driving the city bus, delivering mail, or working for UPS. “You won’t be happy until you see me in a uniform, will you,” I said. “You think you’re too good for those jobs,” he answered in an accusing tone. “I do,” I replied.

This dragged along for years. If I’m honest, it was a constant in the marriage. It just got more constant, more brutal, more cold during those last years. He told me I should want to change to make him happy. “If you loved me, you’d want to change for me.” I said, “If you loved me, you wouldn’t ask.”

I finally said, “Why don’t you go find someone you like, instead of trying to change me?” Eventually, he did. It was awful. It was also a relief.

Lessons learned

How many novels can one unhappy marriage inspire? Way more than two. It’s tricky talking about your marriages, past and present, in a public forum. It’s much easier to hide it in your fiction. The thing is, healthy relationship patterns make for happy lives and boring novels.

I am reminded of a long-ago member of my long-time book group, who would always complain that whatever characters we were reading made bad choices. She would tut-tut away about it, as if we were in group therapy for the character as opposed to discussing a novel.

Finally, I said, “If every one in a novel made healthy choices, we would have no story, no plot, no conflict. Novels would be didactic, like Victorian children’s books about good manners.” She blinked at me for a moment, considering. I’m not sure she understood, and anyway, she’s long gone.

I have procrastinated enough.

I wrote this blog post because I haven’t posted in a bit. Retirement is very, very busy for me. It’s almost grueling, and I’m not sure how I ever found time to work full-time. But what I’m supposed to be doing right now is writing a cover letter for agent queries for a finished novel that has nothing to do with my divorces or that odd little room in Gentry’s basement.

I haven’t queried an agent in twenty years, but I remember how horrible the process is and I would do anything to avoid it. Still, it must be done.

Wish me luck on this agent thing.

If You Weren’t a Writer…

What would you be?

An interviewer asked Lorrie Moore of all people this question:

Interviewer: If you weren’t a writer, what would you be instead?
Lorrie Moore:
I’d be a bad singer or an okay waitress. But I would undoubtedly be writing in my spare time. Just as I do now. Writing’s natural place is as a passionate side hustle.

I like what she said. Writing has been my passionate side hustle for the last thirty years, but it’s also been my actual hustle. I have been writing for a living–a corporate poet of sorts!–since 2003. I’ve done other work in addition to the writing for my company, to be clear. I have prepped and packed and laid out and edited, I have managed projects and print runs. I managed press placements for years, which was really, really demanding and really, really fun. For the past eleven years, I have been primarily focused on copywriting.

Its been good work, writing for a company. It doesn’t use up my creativity. It spurs it, because sometimes, when I’m churning up some romance copy for the side of a box or a hangtag, my longing to write something of my own is so piercing that I think I might cry. So I come home, and I do that.

But what would I do if I hadn’t written for a living ? That’s easy. I’d have been a realtor.

Why? Reason One: I love to sell!

When I found myself a single mother of three with a high school diploma and a pressing need for employment, I went to work at the mall selling things. I worked at a seasonal Christmas store first, then went on to women’s plus-size clothes. And I loved it. If you hate selling things, this won’t make sense: There is something rich and satisfying to be found where merchandise meets customers. I am good at making the match. I don’t want to sell something to someone who doesn’t want it. I want it to be right.

But you don’t make any money working part time at the mall, and I needed benefits and a retirement plan, so I went back to school, finished my degree, and became employable at a rate a little higher than minimum wage.

Side note: I think I’d have been great at selling cars, too. My South Dakota dad sold farm implements and cars and he was excellent at it. My facility for sales was inherited from him.

Reason Two: I love homes.

I am fascinated by homes. Fascinated by how they are laid out, when they were built, how they work for the people who live in them. I’d have loved to find just the right home for someone, to scour the listing and make the match. I have a great nose for a deal. And as a side benefit, I could go into people’s homes all day long for a living, and see their furniture, what they hung on their walls, how they lived in their own sacred space of home.

That’s the problem with the modern trend of home staging. It removes the personality of the owner by design. I get that from a sales perspective, but for a snoop like me, it’s a real letdown. This is general curiosity, mind you. I am just as curious about the homes of friends. I walk in and start my inspection, gleaning what I can from what they hang and where.

Do I have regrets?

Maybe. I’d have made so much more MONEY if I’d spent my career selling things instead of writing things. But I’m in the home stretch, here. It’s a little late for regrets when you’ve signed up for Medicare.

I am what I am. Until, in just a few months, I am retired.

doorway out, courtesy pixabay
image courtesy Pixabay
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