I wish I could summon more sympathy for some of the writers I’ve read who are expressing their angst over the Neil Gaiman allegations. The emotional range of the pieces runs a short spectrum from, “I really admired Neil, and now I can’t,” to “I really enjoyed Neil’s work, and now I can’t.” They are personal pieces, so it’s understandable that they focus on personal feelings.
So to break down some of my own emotions around this, I should start by saying that I have never been a reader of Gaiman’s work, with which I have only a glancing familiarity. I haven’t read anything besides Coraline, which I found creepy but not all that compelling. I’ve always meant to watch the movie because I love Laika movies. I watched Stardust, and it was okay. There’s a copy of American Gods somewhere in my behemoth to-read pile, and my husband read that and liked it. Neither of us felt like watching the series, but we loved Good Omens.
I was always aware of Gaiman, even though I’m not conversant in his work. I’m friends with a fair amount of science fiction/fantasy writers, and for them, Gaiman is iconic. But the world is huge and so is that to-read pile, and I read across all boundaries of genre. I have never gotten around to Gaiman.
“I’m friends with a fair amount of science fiction/fantasy writers…” I have been much friendlier with them in the past than I am now. I was in a sf/f writing group and book group for years, both of which disbanded. And I was close friends with a midlist SF/F writer who I don’t talk about much because we were great friends for four years, and then we weren’t, and then he died. He was brilliant and complicated and I don’t mean to speak ill of the dead, but I think he was representative.
Here’s what I mean by that. He had early family trauma. As a child and teen, he never fit in socially. As a young man, he despaired of ever finding a girlfriend. In his thirties, he found a compelling voice when he wrote (though he was also a hell of a talker). He won some awards for his early work and was a genius at self-promotion. Through conventions, he attained a good share of public adoration. He became a presence. With that came women, lots of women, more women than his lonely teen self could ever have imagined. And he went through those women mercilessly under the guise of polyamory.
I was his friend. He often cited me as his best friend. I watched this romantic rodeo and shook my head. Woman after woman, several at a time, most of whom were devastated when it ended. One of them had a gun and showed up at his house. And I thought, wow, these women are just nuts, aren’t they? Everyone knows this guy is a player. Everyone knew this about the guy, didn’t they? The women got on the ride, and now it’s over.
His success rate with women was a mystery to many. They knew his public self, not his one-on-one self. That’s where he really shone. What a dazzling conversationalist he was. How much he knew, and how freely he shared it. I could ask him anything and he never made me feel stupid or lesser-than while explaining it. Do you know what a rare gift that is?
Yes, he was a shameless attention whore, but he was also generous with his time, money, and publishing expertise. He was a social galvanizer, gathering people up and making things happen. That was who he was, at least to me. I ignored the love-bombing, the pursuit of highly vulnerable women, the promises about the future. I put that over in a different column, somehow. A column what didn’t balance out with how much I enjoyed the man.
I’ve tried to reckon up how to judge people. By everything they did right, or by everything they did wrong? By everything wonderful about the man, or everything not-so-wonderful?
In time I came to understand that, more than a player, my former friend was a big black hole into which you could bulldoze in all the women, all the publication credits, all the GOH convention spots, awards, invitations, and that hole would never fill. This understanding made me sad, but it mostly made me sad for him. Not the women he left in his wake.
And then, there came a serious romantic situation so tangled, so unfair, and so devastating to another dear friend of mine that my entire perspective changed. I could feel it shift, physically, like someone angled a lens and my vision clarified. I saw all these past romantic occurrences in a different light.
The situation got really messy, because the woman he hurt had some standing in his world of conventions and writers. He had messed up big time, and he looked bad, and he was panicking about it. I calmly told him he was wrong, doing what he did to her. I also told him that what he did was human, we are all human, and we are all wrong sometimes. But it was important for him to understand that in this situation, he was not the good guy and he never would be.
I also asked for a week’s break from hearing about it all, because I was exhausted. He never forgave me for that.
End of friendship.
So as I read about Gaiman, I returned to thoughts of my former friend. How clueless and lonely he was when high school romance began around him, and he wasn’t part of it. How he married the first girl who gave him the time of day, and then left her a few years later. How he married again, and then separated from her so he could pursue the women he met at conventions. How he acted at those conventions, relentless and entitled, as if being a writer gave him a Droit de Seigner with any girl in an anime costume.
I have read that Gaiman defends himself with a similar story of social rejection and general cluelessness about how to handle his own fame and power.
But times change. When #MeToo happened, my former friend was no longer here, but anyone who knew him said, “He’d never have survived this.” We shook our heads, imagining what the whisper network would have had to say about him. Even worse, the #MeToo lens would have been applied to his work.
His writing was where his darkest rivers ran. Brutalized women and sexualized children. Incest, rape, murder. When he applied to Clarion, he was rejected when one of the judges said, “I would never let a person who could write this story into Clarion.” Another story was so dark, he said, “You probably won’t want anything to do with me after you read this.” It was terrible. Kind of an all-of-the-above, plus self-mutilation and murder. But…it was published.
I don’t know why I even tried to encourage him write something less ghastly. I was not alone in this. Most of the people who knew and loved him tried to get him to write just one novel that didn’t contain anal rape. I mean, we tried, but we failed.
He asked me to be a first reader for one of his last published books and sent me the Word document. I read the first part of it, which dazzled and disgusted me, then stopped and did a word search on a particularly ugly word for female private parts. When it showed up, I stopped reading.
I knew him well enough that I sort of understood how this sunny, gregarious man produced such macabre, misogynistic work, but I didn’t understand how it was routinely published. He explained by telling me, “Today, it’s all in who you know. Not part of it. All of it.” And he knew a lot of people.
I don’t think those same dark rivers run through Gaiman’s work. As I said, I haven’t read much of it. People who are in mourning talk about finding themselves in stories that featured children who save themselves from dark places. There is an intense identification with his heroes that no one seemed to find while reading the work of my late ex-friend.
This does not surprise me. But what does surprise me? That anyone is shocked by the predatory behavior of a man who finds himself elevated from socially unacceptable geek to revered icon. Think Woody Allen. Think Harvey Weinstein. Think Sherman Alexie.
And now, think about a further marginalized group: geeky, unpopular kids who eschewed sports in favor of comic books and Isaac Asimov. Add glasses and (often) poor complexions. They grow up, find their people, calm down about women. After years of social rejection, they write stories, and they are somehow redeemed! Beloved! Pursued! Important!
A convention (or writing workshop) was almost set up to serve as a sexual banquet for these men.
When I was twenty, I went to my first sf/f convention (OryCon, which is still the only convention I have ever attended). I was presented like a fresh and tasty dish to a few of the writers. You know. The writers. The important men. I was firmly encouraged to make the writers happy.
I didn’t, much to the puzzlement of the people urging me to make myself available. Apparently it was a badge of honor to be chosen. Just like a rock and roll groupie, I’d have bragging rights.
Seriously? No, seriously? Did these people know me at all?
I opted out with bemusement and a little irritation. I realized that science fiction conventions were where people who love to read, write, and watch science fiction went to have sex with other people who read, write, and watch science fiction. The air crackled with it, and I had my own fun that weekend. But I had no interest in being a groupie.
I’ve been to a few more iterations of this same convention over the decades, usually with my brother or Adrienne. I long ago aged out of the groupie category. I haven’t been in ten years, but back when I went, I saw old friends and had long boisterous conversations in the bar. It wasn’t part of the convention for me, but I watched some entitled behaviors, some intense pursuits. I know it’s still part of the deal.
Or it was. It’s possible that #MeToo changed all that. Or maybe it didn’t, because some of these allegations about Gaiman are relatively recent.
None of this is meant as an excuse for this kind of behavior. It is meant as an exploration of it, because I’m trying to understand. I also wonder about the transactional nature of power. I know there were plenty of women who understood the quid pro quo nature of Weinstein’s predation. You do this with me, I give you these opportunities. I know this went on with Alexie, too. I can make you or break you. Some women chose to be made, and others were simply broken.
I imagine that some women held their noses and did what they needed to do in order to gain an opportunity. Most of them won’t be coming forward, because in their own minds, they got what they got in exchange for what they gave. The problem is, men like Weinstein assumed everyone was for sale, thanks to the occasional complicity. If anyone resisted, these men didn’t care.
There’s a line. On one side, he’s just a creep. But when he crosses that line, he’s a criminal. My friend’s behavior was creepy. I’m not making any pronouncements about Gaiman’s.
Where is it? Where does behavior stop being creepy, and start being criminal? Outright predation is easier to spot, like Bill Cosby and his drugs. Oh, I was such a fan of The Cosby Show back in the day, but there was no grey area here, nothing that could be considered creepy or sketchy. It was all a straightforward crime.
Even so, I keep trying to contextualize his very specific approach. I imagine he had one encounter early on with a woman who had just gotten out of the shower after taking something that made her sleepy. He spent fifty years trying to recreate the high of whatever that encounter was. “This worked once and I loved it. Let’s make it happen again.”
The male effort to recreate a sexual high fuels serial killers. It also fuels more pathetic efforts, like Louis C.K., or Senator Bob Packwood, an Oregon politician. He would stand on women’s feet, snap their girdles, and expect that sex would follow. He did this repeatedly to many different women, until someone finally came forward and exposed him. It appears to me that at some point, he must have had success with this approach. He kept trying to recreate it and it cost him his career.
These are the most obvious examples. With a bit of googling, I could add name after name to the list. I could also throw in a few men I know personally; a trusted relative, a friend’s father, men I babysat for as a young teen. I don’t have the heart to do it. The court of public opinion is where these people are usually tried. Occasionally they end up in prison, and occasionally they end up as President.
My answer embarrasses me. I have rock-solid faith in the basic decency of humankind, despite so much evidence to the contrary. It is absurd how much I believe in us, despite the dictators and the genocides and the serial killers, the garden-variety grifters, con men, and liars out there. And the predators.
Somehow, despite all these creeps and criminals, all this evidence to the contrary, I still believe in humanity. I have no idea how I maintain this faith, but it’s there. And I am not giving it up.

My mother entered contests obsessively. Her prizes ranged from the grand—an emerald and diamond ring by Cartier (Benson & Hedges) to measly—aprons, spatulas, paper towels. She won a $1000 energy savings certificate in 1979 (Portland General Electric), with which she purchased gigantic tank-like Amana Radarange microwaves for herself, me, and my sister. And, right around 1977, she won an enormous oak four poster/canopy bed (Meier & Frank), which she immediately gifted to my older brother.
I wish I had a photo. The contemporary design utilized the grain in a large V on the headboard, framed out by smooth, thick, incredibly heavy 8-inch planks of wood. The posts were triangular in shape, with smoothed edges, and probably ten inches in diameter at their thickest points. Canopy rails were also substantial eight-inch by one inch boards. It was planed and smooth and very modern, and massive. Each piece of it was so heavy that it took at least two people to set it up properly. The headboard was heavy enough to be a danger. I have no doubt that if it had dropped on a sleeper, it would have crushed a skull.
It looked like the most sophisticated waterbed imaginable, but it held a Queen mattress.
Like anything heavy, unwanted, and perceived to be of value, this bed eventually made its way to me. But first, my brother used it, then my parents. I don’t think any one had an issue with the appearance of the bed, but my family tended to move constantly (unlike me). I think the actual physical labor of disassembly and reassembly wore them down, so it came to my house.
My ex-husband loved it because it was so manly and modern. I didn’t, my taste ran to antique teddy bears and vintage brooches, 1940s handbags and patchwork quilts with dust ruffles. But what the heck. I found a knock off of that Aztec-looking Ralph Lauren bedding set that was so popular in the nineties, and settled into my hyper masculine bedroom.
The bed was cozy, I will give it that. I always liked the idea of a Swedish sleeping cabinet, and there was something about sleeping in this big canopy four poster that reminded me of a cabinet, even though, as I said, it was styled more like high-end waterbed furniture. We tossed and turned on this bed, slept with our backs to one another, conceived a child. In this bed, I had migraines, the flu, and a seriously herniated disc.
This is the bed that danced in the early morning earthquake of 1993. I woke to the sound of a distant freight train that turned out to be an earthquake. Those four massive bed posts lifted and danced a jig while I lay there, paralyzed. My then-husband jumped up, stood in the bedroom doorway and demanded, “Go get the kids.” I replied through gritted teeth, “I can’t move, you do it.” But he was too frightened.
When he moved out, I changed up the bedding and made my bedroom hyper feminine. It was all floral, all the time, with many sweet gilt-framed items of a romantic nature, and majolica, and scented candles. But I didn’t get rid of the bed. I would regard it from my prone position, imagining how I could somehow decrease the ultra-sleek, ultra-masculine nature of it.
I would (mentally) shabby chic it by painting it, and perhaps add some trailing sprays of flowers to the headboard. I would leave it wood, but wrap the canopy frame with tulle and fairy lights. I also imagined long muslin curtains gathered with ties around the end posts. It was fun to envision those things, but the hyper-femininity was a post-divorce reaction that lasted only a few years. A lot of that post-divorce stuff went back to the thrift store from whence it came. The bed remained.
My house has three bedrooms, and I had three growing daughters. We all needed our own space, so I moved into the family room. The bed came with me. It suited that room better. I was very tough in that room, finding my way back to myself. I had a big oak desk, at which I was working hard at finally earning my college degree and writing the Great American Novel. All my bookshelves were down there, and my oak blanket chest, so it was a very woodsy room, and that huge bed fit right in. I was glad I hadn’t painted the oak after all. This is the same point in time when I gave away all my clothes and lived in a pair of overalls, a pair of jeans, five plain shirts, and a selection of gigantic black shoes.
One weekend, my friend Sue came to visit for the weekend. She helped me do a huge bookshelf cull (I made $300 at Powells and used the money for a brake job). Together, we disassembled the gigantic bed and took it to the garage in an attempt to invest my room with a little more Aphrodite (I can explain this at another time, but things had gotten a bit lumberjack and I was trying to usher in the Goddess of Love). We worked hard to arrange the room in a welcoming way that was finally free of that massive oak bed. When we were finished, I looked around, thanked her, and said, “I miss my bed.” She burst out laughing.
She helped me move it back up from the garage and set it up again.
I slept in this bed for several more years. It seemed a fixture, dominating one half of the huge TV room that had become the fourth bedroom. And then came the house fire. The bed didn’t burn, but it was disassembled, cleaned, and stored in the garage by the contractors who restored my personal goods. It sat in the garage for a long, long time.
One girl was at college, so it seemed like we could occupy the three bedrooms again, and the TV room could once again be a TV room. I moved back into the main bedroom after the fire. I had a new king-sized set. The girls had new double sets because those bedrooms are tiny, and nothing more than a double would fit. What was I supposed to do with this huge oak queen bed frame?
It took up a lot of space. My dad was sure that if I put it together, photographed it, and put it on Craigslist, it would sell. But to who? It was huge, heavy, completely outdated. Now, in 2023, it might have a buyer, because the standards of “vintage” are always expanding.
I’ll tell you what I did with it. I left it in the garage.
In 2013, [Redacted] (a former boyfriend) and I were cleaning out my garage after finally evicting my sister’s belongings (another story, another time). I looked at the massive bed leaning against a garage wall and considered posting it. But I doubted there would have been any takers. I had to confront this massive monster of a bed.
He lived in Salem, and was loading his truck with wood to take to Salem’s wood recycling facility. Things like old plywood, some vintage shutters I’d bought in 1990 and never found a use for, a bookcase that collapsed when we tried to lift it, a bunch of scraps saved in case I needed a piece of wood (I never did).
I probably said it quietly. “Let’s load up that bed.” And we did. All nine pieces of massive, modern oak went into his truck bed, weighing that rig down like you would not believe. He drove it off and I never saw that bed again.
You know, sometimes, I still miss it.
The most-visited post on my blog: Bachelor Beds
Another bed-oriented post that people have enjoyed: Hideabeds and me
Where to read about the end of my relationship with [Redacted]: Shopping at the Used Man Store and other writings (it’s in the other writings part)