I have a few regrets in this life, and not recording some songs in harmony with my siblings is absolutely one of them. I’m speaking of the original three siblings: myself (youngest), my sister (middle) and my Brother Steve (oldest). At my mother’s parties in Aberdeen, South Dakota, my sister and I used to bring down the house with our childish rendition of “Those Were the Days, My Friend.” The three of us together graduated from car-trip singalongs to rousing a crowd with “The Night They Drove Old Dixie Down” in 1971 at a political rally in Booneville, Arkansas. Despite the heights of our harmonic glory during the refrain, we remained staunchly liberal, like our parents, and we did not become the next Von Trapps, though my sister and brother were in a band together in the 80s (it wasn’t particularly harmonious).
Harmony came easier to my brother and me. We dueted constantly from about 1974 on, at home and at parties. It was our thing. Somehow, we never got a moment of it on tape. I regret that.
The way sibling voices blend moves me. Even when the voices are very different from each other, there’s alchemy in how they come together, constant infinitesimal adjustments to smooth the harmonies. I believe this is done by instinct rather than decision. Here are a few of my favorites, almost all of which fall into the country category. And please note, even though these are sister acts, I sang far more with my older brother than with anyone else. I miss you, Brother Steve.
I’m all for the rename. But in the Dixie days, the harmonies of sisters Martie and Emily provided a soft grounding for Natalie Maines’ forceful lead vocals. This band has been through the wringer both professionally and personally, andthey are still together. Gaslighter is a BRILLIANT record/song/video, but I like these earlier songs. Also, that fiddle, and the banjo. I mean…
Talk about country! I first learned about the Browns while reading Nashville Chrome by Rick Bass. I had no memory of the Browns, and thought I was reading a not-so-good novel with real characters like Elvis Presley dropped in. At some point I began to understand that, yes, this was a not-so-good novel, but the Browns were real. At one time, they were one of the most popular musical acts in the country world. Bass described how they twanged and arced and hung in the air, blending and bending together like the tones of a bandsaw. I wanted to hear their voices. I ordered a CD, which took months to reach me. When it finally arrived, I played it obsessively.
These sisters have intense, rich voices. Shelby’s is full of emotional punch and power, and Allison’s is low and heartfelt, as big as the sky. I couldn’t prefer one over the other. Each sister has a record that sits on my all-time favorites list (Shelby’s Temptation, Allison’s The Hardest Part). They join each other onstage now and then, and have one joint project, Not Dark Yet. Individually, they are powerhouses. Together, they are sublime. The video below gives me constant shivers from beginning to end.
That’s pretty much perfection, in my book. Lest you think these sisters do not rock, here you go:
I have one CD by SheDAISY, their debut “The Whole SheBang”, and that appears to be enough. I have never bought or even listened to another. I’ve been playing this record on car trips since the year 2000 and still love it. It’s straightforward commercial country done right. I have no idea if they’re still performing together, but the harmonies these three sisters create are grand, swooping, impossible to tease apart. I’m going to post two examples and I hope you listen more than watch.
The first one, “Little Goodbyes” is such a funny song, very country pop, but the video is of the “beautiful women make sultry faces while singing” variety. It distracts, then gets old.
“This Woman Needs” is a HEARTBREAKER ballad and has hair-raising shivery harmonies. It’s also an oddly crappy video with too many jump cuts. But it’s a gorgeous song.
Okay, finally, a sister act that is not country at all. My kids told me about these three sisters long before I actually heard them. “Mom, you’d love Haim.” “Mom, have you ever heard Haim?” “Mom, I think you’d like Haim.” I finally encountered them as actors in Licorice Pizza. This led to watching the video below and while watching it, I fell hard. Este, Danielle, and Alana (who starred in the movie) are so…talented, striking, odd, fascinating. They have quite different voices but listen to them blend into something special! And watch the whole thing because it builds in a wonderfully strange and subtle way. When did they film this, and how did they do it, and could they be any more cool?
I played this for my five year-old grandson and he was transfixed. He remarked, “They all have the same shoes.” He’s right. They sure do.
Did I miss anyone besides the Jacksons (can’t/won’t talk about them, it makes me too sad)? Because I’m sure I missed some people. Let me know in comments.